What came first: the body or the rhythm?

Two figures try to function. They optimize, repeat, accelerate. Their days unfold according to the logic of a simulation in which nothing can be wasted and every movement must serve a purpose. Until their bodies begin to fall out of sync.

What came first: the body or the rhythm?

Two figures try to function. They optimize, repeat, accelerate. Their days unfold according to the logic of a simulation in which nothing can be wasted and every movement must serve a purpose. Until their bodies begin to fall out of sync.

Based on the Hungarian writer Ágota Kristóf's play The Monster, this piece is a bleak fable about human desire and destruction. 

A monster appears silently in a village. The terrified villagers resolve to destroy the unknown being. However, its intoxicating fragrance slowly seduces them all, replacing their fear with growing obsession. A young man Robert sees the true danger. He refuses to succumb and launches a determined campaign to exterminate the creature. 

Based on the Hungarian writer Ágota Kristóf's play The Monster, this piece is a bleak fable about human desire and destruction. 

A monster appears silently in a village. The terrified villagers resolve to destroy the unknown being. However, its intoxicating fragrance slowly seduces them all, replacing their fear with growing obsession. A young man Robert sees the true danger. He refuses to succumb and launches a determined campaign to exterminate the creature. 

Gay-Rire is a theatrical performance where singing and dance are fully integrated. The story takes place in the late 1980s and early 1990s in a conversion camp for young gay people that claims it can ‘cure’ them. Amid questions, confessions, violence, feelings and emotions, the young protagonists grow up within this unhealthy environment.

How do you build your identity when your very self is constantly being questioned? Should one, like April, give up and marry a man? In any case, the audience is invited to her wedding…

Gay-Rire is a theatrical performance where singing and dance are fully integrated. The story takes place in the late 1980s and early 1990s in a conversion camp for young gay people that claims it can ‘cure’ them. Amid questions, confessions, violence, feelings and emotions, the young protagonists grow up within this unhealthy environment.

How do you build your identity when your very self is constantly being questioned? Should one, like April, give up and marry a man? In any case, the audience is invited to her wedding…